Why I Just Moved To The Middle East

For years, Spek has been a fixture of the UK and US music publishing industries – and their relationship with the MENA region. Here, he explains why he recently upped sticks from New York to live in (and work from) the UAE…
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Fans’ Embrace of Streaming Sustained Music During A Tumultuous Year. Why, and What Does It Mean For 2021?

DiMA CEO Garrett Levin: “Any honest reckoning of our business must examine what happens to the 69 cents of every dollar that digital music services pay to record companies, music publishers, and PROs.”
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‘If the virus is not brought under control in the US within a reasonable timeframe it could be catastrophic for the live music sector.’

Ed Sheeran agent Jon Ollier on the crucial global interdependence needed for a bounce back from COVID
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Santa’s guide to tech companies: Who’s been naughty and who’s been nice to songwriters this year

NMPA boss David Israelite on the tech platforms who’ve supported composers in 2020… and those who have been less beneficial
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Why The Beatles, 56 years ago, were prototyping the kind of pop artist that 2020 demands

There’s no doubt 2020 was an innovative year for music and artists – but, says Dave Roberts, it owes a clear debt to 1964
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Why the music industry must think big about livestreaming: ‘Could an artist following in Freddie Mercury’s footsteps execute the same call-and-response with an internet audience?’

The CEO of Kiswe, which provided the tech for BTS’ record-breaking digital concert earlier this year, on the future of shows in screens
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