Tom Douglas. Photo: Courtesy Sony Music Publishing
Sony Music Publishing Nashville has renewed its worldwide deal with legendary, award-winning country songwriter Tom Douglas.
The lauded songwriter, known for crafting No. 1 songs for artists including Tim McGraw, Carrie Underwood, Lady A, Miranda Lambert, George Strait, Kenny Chesney, Keith Urban, and more, has been a mainstay on country radio for the past three decades. He is a member of the Nashville Songwriters Hall of Fame, and he has been honored with an Academy Award, a Golden Globe, Grammy nominations, and more.
Douglas launched his songwriting career in his late thirties with his first cut in 1994 entitled “Little Rock” performed by Collin Raye, which reached No. 1 in country charts. Since then, Douglas has written classic modern country hits including “Grown Men Don’t Cry,” “Southern Voice,” “My Little Girl” and “Meanwhile Back At Mama’s” by Tim McGraw; “God’s Will” by Martina McBride; “I Run To You” and “Hello World” by Lady A; ACM Song of the Decade “The House That Built Me” by Miranda Lambert; “Raise ‘Em Up” by Keith Urban and Eric Church, and many more.
“The most exciting thing about all Tom has accomplished is that there are so many more successes in front of him. Opportunities for Tom transcend the genre, and even go beyond music,” Sony Music Publishing Nashville CEO Rusty Gaston tells MusicRow.
“I am as excited about the next song that I’m going to write as I ever have been. I love the creative process, I love the gift of creativity. There’s just so much to write about and to explore, the world is ever changing and I like to keep my finger on the pulse of what’s happening in the culture and let those events infuse my songs,” Douglas says.
Douglas has been a career songwriter at Sony Music Publishing, never having signed anywhere else. He was signed by the late Donna Hilley in 1993.
“It’s the only publisher I’ve ever had and I’ve been really delighted to be there,” Douglas says. “There have been many regime changes, people have come and people have gone, but every time somebody has moved on to another opportunity, another great creative collaborator has come along and picked up where the other person left off, and a lot of cases elevated it to a new level.”
Gaston says, “Simply put, Tom is awe-inspiring. He speaks and creates from a level of vulnerability that is hard to come by, and it’s what makes his music so special.”
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