If your audience is getting bored at your shows, it’s affecting your ability to survive. Here are the biggest reasons why, and what you can do about them.
Most artists are earning a huge percentage of revenues from live shows, not recordings or publishing. So why are so many artists slaving away to get the perfect recording, but just winging it at gigs? That was a major focus at Canadian Music Week in Toronto this week, with recognized live performance coach Tom Jackson breaking down the reasons why bands are completely boring their audiences.
1. There’s no vision for the experience you want to create.
What kind of experience do you want to audience to remember?
It’s critical to think about what you want to create and deliver from the stage. If you’re just getting up and playing songs, that’s flat and uninspiring, and it won’t attract heavy ticket sales or convert people who happen to be there (for example, as an opener). Even worse, you won’t be converting zealots and word-of-mouth.
Instead, approach your live performances by conceptualizing exactly what you want fans and converted fans to experience. Construct something unique, crazy, and totally inline with your personality,
2. You’re playing for yourself first, then the audience.
Tom Jackson calls this ‘musical masturbation,’ and it refers to performing in a way that satisfies yourself instead first before the audience. That includes focusing on fine-tuned aspects of the performance that nobody in the crowd is going to notice, often at the expense of more engaging aspects like establishing crowd connection and proper stage positioning.
That doesn’t mean don’t practice, but it does mean putting the emphasis on aspects that are likely to engage audiences and create an incredible experience. Stage movements, theatrics, lighting, pyrotechnics, props, and even on-stage comments should be given a lot of weight.
“If the hair’s raised on their arms, they like you. You win.”
3. You’re ‘spontaneous’ (i.e., ‘unprepared’).
A lot of artists want to be spontaneous and raw on stage, though that is often a sure-fire recipe for boring shows. The reason is that ‘spontaneous’ often means ‘winging it,’ which means you’re jamming but not connecting. You simply can’t think through enough interesting and engaging ideas on-the-spot. According to Jackson, the key is to pour spontaneity into form, including planned-out moves, design, carefully-selected setlists, and other planning.
Which leads to the next issue…
4. You’re not practicing enough.
The most successful bands can be incredibly spontaneous, connected, and tight because they’re practicing relentlessly, often hours per day (and every day). Strangely, some artists are resistant to hard practice because they’re afraid it will kill the loose, spontaneous vibe. But the exact opposite is true: technical skills don’t box you in, they assist you and give you more flexibility.
5. The song controls the stage performance (not the other way around).
It should be exactly the opposite. But most bands allow the song to dictate their show, instead of playing their songs to fit into their live stage act. Indeed, most bands are fiercely resistant to making any changes to their songs to fit a well-choreographed stage performance, but why?
That can be a deadly mistake, with drawn-out jams and 10 minute keyboard solos potentially killing the vibe (especially if you’re not Phish).
6. You’re nervous.
The audience can tell, and it can flatten the vibe. But it’s completely natural to get nervous on stage, so what should you do? Practicing relentlessly is one way to work out the jitters, as it playing a lot of shows and trying to focus on having fun.
And, figure out what works for you. Pre-game meditation, playing a video game on your phone, swigging a beer, smoking a joint… whatever it is, do what it takes to relax and get yourself in a great, clear mindset to deliver the experience of your life (and their’s).
7. You play every song the same way.
Your songs are all different, so why are you playing them all the same way? Remember, audiences (and people in general) are highly visual, so to create an amazing experience, switch things up. Lighting effects and backdrops should adapt to match different styles, energies and positioning should change around different songs, and each song should have unique effects.
8. You’re not making fans want to marry you.
Jackson had a great way to illustrate this issue: if people are seeing you for the first time at a festival or as an opening act, you’re dating those fans. It’s like the first Tinder date. If you’re Taylor Swift or Elton John, those fans are married to you, they’re in for the long haul and want to see you for years and years. But it takes a lot of time to get to that point.
Jackson says you need to give fans an experience they will never forget, and will tell everyone about. That’s the way to move casual daters to serious, long-term marriages.
9. You’re geeking out on musical things.
This is connected to the ‘masturbation’ problem, and it’s really one about perspective. Remember: a vast majority of your audience is musically illiterate, they don’t care about how you’re playing it, instead they’re more concerned with how they’re feeling it.
That doesn’t mean not practicing and attending to fine-tuned details, which are critical. But if those things crowd out a perspective on fans, you lose. “They don’t understand musical things,” Jackson told a crowd of artists.
“They don’t know if you’re singing high C or drinking it!”
10. You’re not putting fans ‘in-the-moment’
Hollywood is brilliant at putting fans in the moment, a place where they can escape and forget about everything in their stressful, complicated lives. Instead, it’s easy for fans to drift back to their problems and incoming text messages if they’re not engaged, which is almost guaranteed if the musicians on stick figures on stage. “They want to be captured and engaged,” Jackson noted.
“A great movie makes people completely present, and that’s where you want your audience to be.”
A few other important notes on this:
- Jackson noted that there are typically two categories of shows that people remark with others about: the top 5 percent of performances and the bottom 5 percent. You want the former, not the latter.
- Here’s one truism about live performances: if you create a more engaging show, your merch sales always go up, 100% of the time. Of course, the basics need to be in place: someone manning the merch table, plugging merch on stage, having a good selection of items and proper quantities, etc. But the real, over-arching catalyst of all sales is this: people not only love amazing experiences, they want to remember them forever, and merch is a great way to memorialize that.
- Technical skills don’t box you in, they actually help you be more relaxed and loose on stage, not to mention spontaneous and in-the-moment yourself.
Hope that helps you engage more, sell more tickets, sell a lot more merch, and win a lot more fans!
Image by Nick Cavanagh, licensed under Creative Commons Attribution 2.0. And for more on Tom Jackson’s live music producing expertise, check out his site.
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